Tuesday, August 31, 2010

UNIFEM

Today I spoke to the incredibly friendly and thoughtful Almas Jiwani (President of the UN Development Fund for Women in Canada (UNIFEM)) about the potential for the MAMA Project to make a difference in the world. Ms. Jiwani said she feels passionate about the importance of mothers in the world, specifically the power that we yield as nurturers of each new generation, and she has given many speeches to that effect. She told me she is proud of me for the work I am doing, and frankly I was overjoyed to receive such validation from somebody I look up to. Indeed, as conscious mothers we can create any change in the world, and it is also so important that we support each other in our endeavours.

Sunday, August 29, 2010

flickr group

In my opinion, the ultimate experience of art is that of the viewers, so it follows that the ultimate photos are those taken by the public, as opposed to people really involved with the work. This is the unfiltered public view of the work. Especially with a moving, interactive project like this one, where the public is a vital part of the installation, each participant will see and record it in a different way. I rejoice in witnessing the many ways people have joined and experienced the installation.

A few people who saw the Victoria and Colwood installations have sent me photos, and some others promised on the day of to send me their flickr pages. So I have created a flickr group specifically for photos of the MAMA project, taken by the public.

Here it is: http://www.flickr.com/groups/mamaproject/

If you have photos you'd like to include, please either email them to me, or put them up on flickr and ask me for an invitation to the group.

Tuesday, August 17, 2010

Victoria Photos

MAMA in Bastion Square Public Market -- click to see full-size

beautiful backlighting, courtesy of the sun

SuperMAMA performance in Bastion Square -- photo by Markus Roemer

MAMA at the Coast Collective Gallery -- click to see full-size

that is indeed a very large tortoise you see, between the sheets...


I did a few pieces from the SuperMAMA performance (solo) in the space created by the sheets at both Bastion Square and the Coast Collective. This is "SAHM: Stay At Home Mom", one of the pieces I did at the Coast Collective, and was filmed by Markus.

This is Markus -- my husband, and, of course, the reason this project is possible.Yes, he actually took vacation days to come help me set up the installation. Thanks are not enough for the gift he gives to me.

Monday, August 16, 2010

...back from Victoria!

Markus and I spent 4 days hefting boxes of lines, sheets, and tools around Victoria, (and running the show, of course), while my parents looked after the children, the house, and the dog. Now we're tired!! Each installation event was unique, and both were wonderful experiences for me, both artistically and as a mother and human. Though I did miss my children rather a lot...

Within the next couple of days, I'll get some photos up here from the installations.

Small bit of news: I have decided that I'm willing to sell the sheets. Each sheet will be priced at $2800.00, and will come with a painted quote from the interviews. This money will enable me to continue touring the installation. It always seems to have such a deep impact on the people who see it, that I feel it's very important to keep it going.

And this winter I will begin interviewing again, for more portraits/recordings.

Monday, August 9, 2010

MAMA in Victoria and Colwood

Getting ready for Victoria...

The installations in Victoria and Colwood are both outside; one in a public market and one at an arts festival. Both will have music happening, as well, not to mention a busy lot of people, so the broadcasting of the mothers' comments will not be practical. Instead I've decided to transcribe a few of the many recorded snippets onto (guess what!) used bed sheets!! The hard part was choosing only twenty-something comments from the hundreds I play during the indoor installations. After that there was just a lot of painting. It was very meditative; a bit like calligraphy, since each letter was brushed on, and then the brush dipped again in the paint. The experience enhanced for me the significance of the words. Some photos: